hands-on

Leica SL Review and Sample Images - The new Leica SL (typ 601) by Benjamin Traves

The Leica SL (typ 601) is here and it is fantastic! For sample images just scroll all the way down. I'm working on the review now and will have more of it finished soon. 

The Leica SL, a camera nobody really expected, has suddenly arrived. Now, just because nobody expected it doesn't mean it isn't a great camera. Usually companies make decisions on new products based on consumer demand and what the competitors are offering. What is so great about Leica is that, as with Steve Jobs at Apple for many years, they design and build things that nobody knew they wanted or needed. They create devices which are just plain better than anything else, unique / different, and usually able to completely surprise everyone. The Leica SL is definitely the future of the photography industry, and Leica is leading the way.

 

* This is a "rolling" review, meaning I will be constantly updating it over time.

If you read the specifications it looks like some madman's wishlist of everything ideal to put into a camera (and the new zoom lens as well). In fact, no camera company has ever put this many different popular features together in one single camera, for example, the Leica SL has both GPS and WiFi built into the camera, instead of just one or the other. As far as I know, the only other semi-serious camera to have both of those functions is the Canon 6D (although curiously none of the higher-end Canon or Nikon cameras such as the 5D III / 1DX or the D810 / D4S have either capability). The autofocus is extremely fast. The LCD screen and electronic viewfinder have no visible lag or delay at all. The camera is fully weather sealed, robust, solid. Most consumer cameras are not, except for the few I just mentioned which are the best Nikon and Canon make. Those, until now, were the only cameras I would put any real faith in with regard to durability and "survivability" in extreme conditions.

 

Inside, the Leica SL is much the same as the new Leica Q, with a 24 megapixel full-frame sensor and Maestro series processor. On the outside, however, it is a different animal entirely. While still managing to be smaller than the S series, which isn't hard, the new SL is still quite substantial, particularly when paired with the new 24-90mm zoom lens. On the outside, it has a fantastic eyepiece for the EVF and a very nice "transflective" display on top which is easily visible even in bright sunlight. Even with Leica's minimal interface, borrowed from the S series, it's quite easy to learn what each of the unlabeled buttons does and if you get lost just press any of them. A little hint icon will pop up next to each one, and these vary based on being in shooting mode (live view) or playback of photos already taken.

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* I will be adding much more to this review soon, once I've had sufficient time to shoot with the SL a bit more. Also lots more sample images coming soon!


PROS:

- Image quality. Just fantastic. That's why you buy (and carry) a camera like this.

- Fast, silent (truly silent) autofocus.

- Build quality is top notch, and every button and dial feels perfect to use.

- The 24-90mm zoom lens is just optically incredible, no noticeable distortion and extremely sharp edge to edge throughout the zoom range.

- I'm just going to go ahead and put image quality again.

CONS:

- This is major, the bottom edge of the camera digs into my side / hip as I'm carrying it slung on my shoulder. It is a very sharp metal edge, not rounded like pro DSLRs are at the bottom. I understand the desire for clean, crisp lines but it negatively impacts the comfort and ergonomics of this camera.

- I wouldn't exactly consider either the price or weight as a con because it really just depends on the individual. What's heavy and expensive to one person is just professional quality and construction to another. But it is certainly not light. Or inexpensive.

- Very small complaint, but this anodized black aluminum for the body and lens are just absolute fingerprint magnets. Also tends to get condensation all over when you transition from cool indoor areas to tropical humidity here in Miami.


All Images ©2015, Benjamin Traves

All Images ©2015, Benjamin Traves

Sony A7R II Review and Sample Images by Benjamin Traves

Images ©2015, Benjamin Traves

My review of the Sony A7R II is here! (Well, a rolling review which I will be constantly updating)

So, the elephant in the room, which every review will address: It has a 42 megapixel sensor. Yes, that is a ton of pixels. Last month I tested out Phase One's newest beast (the IQ3 digital back with the new XF camera body) which has 80 megapixels. And of course Canon now has over 50 megapixels with the 5Ds/R so it's really not that crazy for Sony to go with 42 for their flagship shooter.

I am curious to see how this new A7R II compares with the Sony A7 II and Sony RX1 as well as my Canon 5D Mk III. A friend of mine has a ton of Sony gear so I should be able to test it with a wide variety of lenses to really see which ones are best for it. Honestly, there isn't much similar to this camera in terms of a fair comparison because it's just so unusual. No mirror, full frame, interchangeable lenses (and adapters for almost any other brand of lens you might want to put on it), plus it's weather sealed so you can go outside and play. Oh, and by the way, it shoots 4K video and can record it internally, unlike the A7S.

The 42 megapixel sensor is certainly interesting, though really not a huge difference in terms of image size from the previous generation of 36 megapixel sensors. I think the real key difference will be in dynamic range and low-light performance. That, and the ability to crop with an APS-C factor, which still leaves you with a very usable 18 megapixels.

 

** OK, so probably the most interesting thing about the new Sony A7R II that I've noticed so far is that, unlike with most other cameras, this one seems to have files that look much better on the computer than they did on the camera LCD screen. Usually, when you go out and take some pictures, you look at them on the camera and they seem great, then maybe just ok once you put them on the computer. Not so with this new Sony. It reminds me of the medium format Hasselblad and Phase One cameras I've used in the past, because on those the picture is barely even worth looking at on the rear LCD (which is why most pros shoot tethered to a laptop when using medium format digital backs like those) but once you see them on the computer the images are mind-blowing and incredibly detailed with outstanding colors and quality.

 

I will be working on this review and posting more text soon, but in the mean time you can check out some quick sample images below:

Pretty impressed with the little Sony/Zeiss 55mm f/1.8 and I'm looking forward to testing the new Zeiss Batis lenses soon. I'm a long-time Canon L user and the bokeh from the 50mm f/1.2 L glass is a bit smoother, although this Sony/Zeiss lens is far sharper wide open.

The colors from this sensor are phenomenal, with no adjustments needed.

I also tested the APS-C crop mode, which gives you the look of a longer lens (although it is not the same optically). Still, if you are using a fixed focal length and you don't have anything else with you (like me when I happened to see this peacock wandering around) it's nice to make the 55mm into an effective 82.5mm lens with the APS-C mode (multiply your focal length by 1.5x to figure out the conversion, i.e. a 35mm lens becomes a 52.5mm and so on).

JPEG Standard (not even "Fine")

JPEG Standard (not even "Fine")

Crop of the photo above this one. This was a "Normal" quality JPEG (I didn't remember to switch to RAW+JPEG until right after this, sadly)

Crop of the photo above this one. This was a "Normal" quality JPEG (I didn't remember to switch to RAW+JPEG until right after this, sadly)

And another quick crop test, this one was taken by my friend with his Sony 70-200mm f/4 (through a window, from his apartment on the 15th floor) while we were testing out the gear:

See the rectangle? That's approximately a 100% crop...

And here's the cropped image. I did not make an effort to recover the highlights. The boat is only over exposed due to the darkness of the water around it, which is most of the original image. Anyway, if this is your boat, be sure to say hi in the comments :)


Full size JPEG ("Standard" quality)

Images ©2015, Benjamin Traves

 

Now, for a high-ISO test... this next one is ISO 4000 at f/4.5 and 1/250th

ISO 4000 (!) at f/4.5 and 1/250th

Another shot at ISO 4000 (and keep in mind I set Noise Reduction to Low in camera and also sharpened this to +50 in Lightroom)

This one was shot with the relatively new Sony/Zeiss 35mm f/1.4 mounted on the Sony A7R II

The capabilities of this camera are truly astounding. I'm looking forward to doing much more shooting in the next few days, and of course I will be posting more images as well as my thoughts and impressions of this beast.

Images ©2015, Benjamin Traves

Images ©2015, Benjamin Traves

Images ©2015, Benjamin Traves

 

More images coming soon!


Also testing out the 4K video...

 

* The images and content on this site are copyrighted materials and may not be used or reproduced elsewhere for any reason without my written permission - ©2015, Benjamin Traves, All Rights Reserved

Leica Q - Review of the Leica Q (typ 116) - Image Samples and Hands-On First Impressions by Benjamin Traves

The new Leica Q (product image via Leica Camera)

The new Leica Q (product image via Leica Camera)

The new Leica Q is here, and I am planning on taking it out for a thorough evaluation this weekend... Sample images will be posted right here soon, as well as my impressions of the camera and how it works. The first image above is from Leica Camera, the rest are my own and may not be used or reproduced without my written permission. The Leica Q was borrowed from Leica Store Miami for this review, but all opinions expressed here are my own and I am not paid or endorsed by anyone to write this review.

The Leica Q has a 28mm fixed lens with 3 aspherical elements, f/1.7 lens, full-frame sensor, and a very nice built-in EVF (electronic viewfinder). Those are the most important specs, but I will elaborate in my review when I finish it.

The Q uses an existing battery from the V-LUX so you won't have trouble finding extras once you get the camera. Leica accessories are notoriously hard to come by, even months after a new camera comes out. At least you'll have a battery, but don't hold your breath for the half case, grip, or other add-ons. The grip is very nice, by the way, and I've been using it most of the time.

I will also include a comparison to other cameras, both from Leica and from other camera brands (looking at you, Sony RX1/R)

Below is the first sample image I'm posting from the Leica Q, and I think it speaks volumes about the capabilities of this camera. Very little was done to this file in Lightroom 6, honestly I spent about 30-45 seconds on it. I have personally shot with the new Monochrom, and the original Monochrom (one of my favorite cameras of all time in terms of image quality), and I think this file looks pretty good considering it's a conversion from color rather than a b&w raw file like the Monochroms produce.

Leica Q raw file converted to b&w in Lightroom 6 - Image ©2015, Benjamin Traves

This is a jpeg of the same image above, unprocessed and straight from the camera.

This is a jpeg of the same image above, unprocessed and straight from the camera.

Above is the jpeg straight out of the camera (SOOC) for those of you interested in that. I always shoot raw (which is DNG format for most Leica cameras) but it is interesting to note that the Q, unlike the M and S, only offers RAW + JPEG mode, no mode with only DNG files, so if you are a raw shooter, you will get some bonus jpegs in there as well. No way to change that yet, but maybe a firmware update in the future will allow it (I'm just speculating about that, no idea if they will or not). Doesn't really bother me, but worth noting. In Lightroom, when you import you can just select the DNG files.

 

I found myself converting many of these test shots to black & white, and I definitely think the Q sensor is great for B&W.

And the lens can get quite close to your subject (especially compared with Leica M lenses which are generally 2.5-3 ft. minimum focus distance)

The Leica Q is delicious

This was taken by my friend when I handed him the camera to have a look at it. He likes the macro mode. Raw file processed in Lightroom. This was shot handheld at 1/40th of a second, f/2.8 and ISO 400.

 

** This is a "rolling review" so I'll be adding new thoughts / impressions / opinions and of course more images as soon as I have time.

Lots of image samples coming soon...

Here are some low-light test images...

First one is at 12,500 ISO, with very minimal noise reduction done in Lightroom:

Handheld at night, f/8, ISO 12,500








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Below are some "mobile uploads" via WiFi which is built into the Leica Q

All images below are jpeg transferred directly from the camera to my iPhone, processed in VSCO Cam and uploaded to my blog post, also from the phone.

Leica Q transfer via Wifi to my iPhone, then used VSCO Cam app and posted it to my blog from my phone... While eating amazing gelato from the new place next door.

Leica Q transfer via Wifi to my iPhone, then used VSCO Cam app and posted it to my blog from my phone... While eating amazing gelato from the new place next door.

Leica Q test image... Sent via Wifi to my iPhone and edited with VSCO Cam app, then posted from phone.

Leica Q test image... Sent via Wifi to my iPhone and edited with VSCO Cam app, then posted from phone.

Apple Watch Review and Photos by Benjamin Traves

The Apple Watches have arrived. Full review coming soon, but for now enjoy the first photos I took. This is the 38mm Sport version of the Apple Watch. Be sure to check back soon for more!

* Thank you Leica Store Miami for the cameras I used to take all of these photos and video clips.

 

This is a rolling review, meaning I will be adding my thoughts and updating all the time. I've had my watch for about a week now and what I find most interesting is that it feels like I've always had it, meaning it is so intuitive and seamlessly blends with my daily life that it doesn't feel at all out of place. I know it's new, but it's also very familiar and I really feel like I've worn it for years. I'll go into the technical details later, but for now I think my first impressions are more useful to anyone considering the Apple Watch.

More words soon, but for now, enjoy the photos!

 

Here's a slideshow with some of my first images of the brand new Apple Watch Sport:

Note: All images are ©2015, Benjamin Traves, All Rights Reserved.

Below is a 4K video clip which I shot on the Leica D-LUX (typ 109) - I will have a more complete video review in Ultra High Definition (4K) coming very soon, so be sure to follow my YouTube channel (or Vimeo) and stay in the loop!

Be sure to set the resolution to the highest possible before watching the video:


Fujifilm X100T Hands-On Preview Video by Benjamin Traves

Here's a quick hands-on video of the Fuji X100T:

Be sure to follow me on Vimeo and YouTube

My full review of the Fujifilm X100T is coming soon! If you already know you'd like to buy the camera right now, here's the link: